Indian classical dance
Indian classical dance is a relatively new umbrella
term for various codified art forms rooted in Natya, the sacred Hindu musical
theatre styles, whose theory
can be traced back to the Natya
Shastra of Bharata
Muni (400 BC).
Definitions
·
Dances
performed inside the sanctum of the temple according to the rituals were called Agama Nartanam.
Natya Shastra classifies this type of dance form as margi, or the
soul-liberating dance.
·
Dances
performed in royal courts to the accompaniment of classical music were called Carnatakam.
This was an intellectual art form.
For lack of any better equivalents in the
European culture, the British colonial authorities called any performing art
forms found in India as "Indian dance". Even though the art of Natya includes nritta, or dance proper, Natya has never been
limited to dancing and includes singing, abhinaya (mimeacting). These
features are common to all the Indian classical styles. In the margi form
Nritta is composed of karanas, while the desi nritta consists
mainly of adavus.
The term "classical" (Sanskr.
"Shastriya") was introduced by Sangeet Natak Akademi to denote the Natya Shastra-based performing art
styles. A very important feature of Indian classical dances is the use of the mudra or hand gestures by
the artists as a shorthand sign
language to narrate a story
and to demonstrate certain concepts such as objects, weather, nature and
emotion. Many classical dances include facial expressions as an integral part
of the dance form.
Dance forms
Sangeet Natak Akademi currently confers
classical status on eight Indian dance styles (see table below), while the Encyclopædia Britannica mentions six
recognized schools[1] and other sources
state there are eight dance forms.
Dance form
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State(s) of origin
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A dance style is classical to the extent it incorporates the Natya Shastra techniques. Some of the styles such as Kathak use very few elements found in Natya Shastra. Other art dances yet to be conferred as classical dances, whose theories and techniques can also be traced back to the Natya Shastra
Out of the nine recognized dance forms, the
only two temple
dance styles that have
their origin in Natya
Shastra and are prescribed by
the Agamas are Bharata Natyam and Odissi. These two most
faithfully adhere to the Natya Shastra but currently do not include
Vaachikaabhinaya (dialog acts), although some styles of Bharata Natyam, such as Melattur style, prescribe the lip
and eye movements indicating Vaachikaabhinaya.
Kuchipudi, which also
prescribes the lip movements indicating Vaachikaabhinaya, and Mohiniyattam are relatively recent
Darbari Aatam forms, just asKathakali, and two eastern
Indian styles, Manipuri and Sattriya, that are quite
similar.
Kathak originated as a court
dance. Some believe it evolved from Lord Krishna's raas lilas, forms of which have
also evolved into the popular Garba-style dances popular
in North India and Gujarat. The style gradually
changed during the Mughal period under the
influence of Persian
dance,
a major change being straight knees instead of the bent knees used in most
other Indian classical forms. Intricate footwork and spins, as well as abhinaya, are the highlights
of Kathak.
Currently, Sangeet Natak Akademi does not consider the
recently reconstructed dance styles of Andhra Pradesh such as Andhra Natyam and Vilasini Natyam
as "classical." Bharatanrithyam, despite being the one most closely
following Natya
Shastra's
precepts, is considered as a variety of Bharata Natyam...
Sabha
Sabhas are the organizations
involved in the promotion of classical art forms in South India. Ganamukundhapriya
is one such Sabha that specialises in classical dances. Various events are held each year to
celebrate classical dance.
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